Please, Stop Complaining About Black Movies and Hollywood and Actually Support, Mobilize or Make Some Shit (If You’re Not Doing So, Already) A Very Open Letter

Tahir Jetter
Please, Stop Complaining About Black Movies and Hollywood and Actually Support, Mobilize or Make Some Shit (If You’re Not Doing So, Already) A Very Open Letter

A rant meant to respond to certain trends that I’ve seen in social media, recently, particularly with respect to online discussions of African-Americans involved in the film industry, Black movies, movies about Black people, movies about Black people that people think should feature or be directed by other people, or whatever.

To be specific, I’m discussing the vitriol surrounding the casting of Zoe Saldana as Nina Simone and the alleged replacement of Tate Taylor “over” Spike Lee for the upcoming James Brown biopic to be produced by Brian Grazer and Mick Jagger.

There are a number of people who (for various reasons) are discussing these talent attachments (or detachments) throughout social media as though they are further emblematic of Black people/Black images/Black voices being slighted/downplayed/diminished in the America entertainment industry.

Not only have there been a slew of complaints but there has also been an UPROAR:

- People that (purportedly) feel like Zoe Saldana is not dark-skinned enough or “authentically Black enough” to play Nina Simone.

- People that (purportedly) feel that Spike Lee “deserves” to direct the James Brown biopic because of the fact that he was reportedly attached to helm the project with Brian Grazer, first.

Whether or not such opinions/discussions are valid, the question that always lingers in my mind whenever such spirited conversations take place, (particularly for the bevy of Black bloggers that love to engage in them) is, well, to what extent are you, yourself, supporting and providing  forums to UPLIFT Black filmmakers, actors and other talent, that actually have work out, and actually have work coming out?

Whenever one of these stories breaks (e.g. Zoe Saldana, Spike Getting Passed Over, etc., George Lucas being lame for allegedly watering down “Red Tails,” BET just sucking in general), it always seems as though all this fuss is directed at Hollywood, but I can’t help but wonder why it seems that we comparably have so little grassroots/social media energy being directed toward actually UPLIFTING shit that is ACTUALLY IN the movie theaters, at present (or is actually coming out) particularly from bloggers that are such purported champions of Black culture.

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A Critical Aside: I'm not at all suggesting that Hollywood shouldn't be taken to task as a result of its ongoing (and arguably increasing) lack of diversity with regard to who is being hired, who is working in the industry and who is getting to helm/star in certain kinds of stories, but for how long have we known that this is the case?

How long have we known, collectively, that Hollywood is largely disinterested in developing movies that are about, featuring or portraying certain people of color?  And I'm not just talking about Black people, but anyone that is non-White.  Like, how long have we known this?  Again, I'm not suggesting that we should not complain, or that criticism of the industry is wrong, but if you look at the film industry as a business and as a market, I think it's fair to say that, particularly within the past several years (5-12 years), the American film industry has largely grown tired of:

- movies featuring casts that are largely Non-White

- films that aren't directed toward young males, aged 18-24

- non-franchises, or anything that's not a horror-suspense-thriller

- dramas

- films that are made for adults.

]

Knowing this, I wonder if we, the complaining people (and particularly, the outspoken Black Bloggers, with 5-10K+ Twitter Followers and huge social media followings) could take some different routes in the spirit of effecting change:

(Side Note: These suggestions are offered with the presumption that many of the more interesting Black movies of today are being developed within the American independent film community.)

My Suggestions for Being Proactive and Effecting Change:

a) Make a movie of your own.  Do it.  If Tyler Perry does it, you can do that shit, too.

b) When an Independent Black movie does come out (however you want to define “Black movie”) maybe you’ll want to provide an “open letter” on your Blog to actually highlight the release of that film.

Maybe you could even do a write-up on the talent (director, producer, actors) attached, how the film got made, or other pertinent and interesting details related to the background of the production.

b) Maybe you, yourself, will reach into your vast network of viewers/listeners/supporters and make a concerted effort to develop an institution/group that is interested in cultivating new, Black films, particularly of the ilk that you would like to see.

There is a shit ton of money in the African-American community and there are a hell of a lot people that actually want to see authentic stories about Black people and other people of color.  Maybe you could ask yourself, “gee, might there be any way that I can dip into my tremendous network of online followers and see if I can suss out some people with disposable income that might be interested in getting involved in crowdfunding efforts for independent films, making investments or doing other things to get some of the stories that I want to see made?”

c. If your social media brand has some kind of event component, maybe you could even organize an event in which you highlight a film (or films) that people might not have otherwise heard of.

Context:

One of the biggest obstacles to getting Independently-Produced African-American films out to prospective audiences, in this day and age, is the fact that, when these films are released to theaters, often times they are done in the form of a limited theatrical release (500 theaters or less at a time) in cities around the country where only a small, heavily-aware, urban audience (e.g. L.A., NYC, ATL, PHIL, etc) can go and see them.  At the same time, there are a hell of lot of Black folks across the country that might actually be interested in seeing these very same movies, but might be unaware that they exist or who might live miles away from the theaters that actually play them.

Are there ways in which your social media brand might be able to be used to continue to cultivate buzz for such films throughout various stages of their release (theatrical, video-on-demand, DVD/Netflix/iTunes, Hulu, etc)?

Furthermore, are there ways in which you, yourself ,might actually be able to organize events in which people could have access to seeing these movies, across the country?

d) Right now, there are a number of independent “Black movies” (featuring, directed/written by, funded by and or dealing with issues relating to Black people) that are in various stages of release that you might actually want to highlight.  (If I’ve left your film off the list, my apologies.  These have just been on my mind, recently, but you can often find many more on Shadow and Act).

For example:

Beasts of a Southern Wild – dir. Benh Zeitlin (in theaters, right fucking now)

The Girl is In Trouble – dir. Julius Onah (playing various festivals, not yet released)

The House I Live In – dir. Eugene Jarecki (in theaters, right fucking now)

The Interrupters – dir. Steve James (currently playing, online)

The Last Fall – dir. Matthew Cherry (currently playing in L.A.)

Luv – dir. Sheldon Candis (coming soon)

Middle of Nowhere – dir. Ava Duvernay (in theaters, right fucking now, across America)

An Oversimplification of Her Beauty – dir. Terence Nance (playing various festivals)

Pariah – dir. Dee Rees (on DVD/Netflix, etc. right fucking now)

Red Hook Summer – dir. Spike Lee (likely coming to DVD/Netflix, etc., soon)

Slavery by Another Name – dir. Sam Pollard (currently playing, online)

Soul Food Junkies – dir. Byron Hurt (coming soon to PBS, probably going to air online, simultaneously)

Wolf -  dir. Ya’Ke Smith (limited screenings, nationwide, right fucking now)

Yelling to the Sky dir. Victoria Mahoney (coming soon)

In summation, I’m not saying that we should NEVER complain about the industry, but got damn, when we have known for the longest time about the state of Hollywood, why are we not doing more to take some of the energy that we use to complain about the status quo and direct/invest it in alternative solutions that might actually be more productive?

Just be the change you wanna see.  On some lofty shit.

“This industry is not made for us” – (paraphrased from Idris Elba)


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AN OVERSIMPLIFICATION featured in Philadelphia Weekly

“Original and so much more, Terence Nance’s relentlessly naval-gazing feature debut abandons narrative for a restless, shape-shifting experiment in self-documentation…Live action gives way to dreamy animation, the personal gives way to the universal, and you will not see anything remotely like this at the PFF or elsewhere.”

To read full article, click here.

Philadelphia Film Festival Screening Times
Thursday, 10/25 at 9:45PM
Sunday, 10/28 at 7:30PM
Ritz East, Theater B
Buy tickets here

 

An Oversimplification Takes New Orleans

An_Oversimplification_of_her_Beauty_filmstill2_byStephanieMatthews

Are you into independent films? Do you like a good romance? Sure you do!  An Oversimplification of Her Beauty will be hitting the big screen at the New Orleans Film Festival October 12th. 1,250 submissions from around the world were received and An Oversimplification of Her Beauty made the cut, joining the lineup of 203 other awesome independent films. If you live in the area (or even if you don’t and are just visiting), please show some love to Terence Nance and support this film.

What She Said…

Talibah Newman
What She Said…

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Words of Wisdom from my beautiful Iya…


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On Creating

Talibah Newman
On Creating

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Via Ffffound.com
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Terence Nance’s Take on Films4Peace

Hank Willis Thomas

 

On September 21, 2012 (World Peace Day), 21of today’s most innovative contemporary artists from around the globe illustrated their interpretations of peace on film via Films4peace, an annual short film commission by PUMA.Peace and curated by Mark Coetzee. Terence Nance teamed with Hank Willis Thomas to create an amazing piece for the initiative, which you can view on Indiewire and get the scoop on the  other featured artists as well. Even though World Peace Day has come and gone, it’s better late than never to share such a positive message that may just inspire one individual. So check out the video and share it across all of your social networks to keep the momentum going…Peace!

“Frisk” – (World Premiere) at Urbanworld in NYC

Tahir Jetter
“Frisk” – (World Premiere) at Urbanworld in NYC

Wipe Me Down

More forthcoming.


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FINALLY… HELP ME MAKE MY THESIS: SWEET HONEY CHILE’

Talibah Newman
FINALLY… HELP ME MAKE MY THESIS: SWEET HONEY CHILE’

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It has been a long time coming… but it is finally time for me to shoot my thesis… I feel like one of the lost boys in Peter Pan… screaming I don’t want to grow up… but all things must change, including my status as a student and this is one step closer toward achieving [...]
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Introducing: Famous Farrah

Talibah Newman
Introducing: Famous Farrah

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I’ve had my hand in many pots over the course of the past two years… and I am finally finished cooking the teaser of one of the brews; Famous Farrah! This is a new comedy web series about an infectious disease researcher who haphazardly becomes a rapper. #YOLO Sometimes the only key to happiness is [...]
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BBL @ MVAAFF 2012

Talibah Newman
BBL @ MVAAFF 2012

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GREETINGS ALL, It is with great pleasure to announce that Busted on Brigham Lane will play at the Martha’s Vineyard African American Film Festival  this Friday August 10, at 5pm at the Martha’s Vineyard Performing Arts Center along with a few other films, see the line up below. I haven’t done any research on the [...]
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An Oversimplification Of Her Beauty Hits the UNCG Campus

EUC_Minerva_small

For those of you that are in the Greensboro area your chance to see the film “An Oversimplification of Her Beauty” is upon you. The film will show  on Thursday, July 19, at 7pm at the Weatherspoon Art Museum on the campus of The University of North Carolina Greensboro. For more details on the screening you can visit The University of North Carolina at Greensboro’s website.

An Oversimplification of Her Beauty SoBK ReCap

Terence Etc’s ( the band of director Terence Nance) rocked the crowd at the Soul of Brooklyn (SoBK) on June 23, 2012. Along with rocking the crowd with their “sultry and classic songs” the lead singer of the band Terence Nance screened is film “An Oversimplification of Her Beauty.” For more information about the SoBK week check out the website.

Diary Entries. …

Tahir Jetter
Diary Entries. …

Diary Entries.  Why Not.  Everyone’s all about maintaining some sort of social media presence, these days.

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“Fuck it.  Got a budget for the lawyer, do’.”  (I wish).

Anyway, today is July 17th, 2012.  I’m working as a Driving PA on ________, a reality/man-on-the-street show and I love it.  ”What does that entail, you ask?”  Well, I sit in a van and I drive on-camera talent from a production office in Midtown to a location, several blocks away.  Then, I sit in said van, leave my walkie-talkie on and am left to my own devices.  I’m scheduled to work through October, and it’s been such a blessing.  This year has been a STRUGGLE.

It’s Been Real.

I have a week off this week and I intend to accomplish quite a lot of shit.

I have several freelance gigs that I’ve stacked up all at once.  Why?  Because I need cot damn money.

Things I Currently Do For Money:

1. Lead a Fitness Bootcamp in Brooklyn – Mornings – 6:30-7:30AM – M-F – holler at me, if you want to get in shape, you know the summer ain’t over!

2. Write for __________ – Fitness Articles – Freelance

3. __________ – Driving PA – 12 Days/Month

4. __________ – Producing News Stories – Freelance

5. …might pick up some personal training clients, along the way, we’ll see. (Something else I do).

Anything else?

Still debating becoming a stripper.  Didn’t see “Magic Mike,” but the trailer looks inspiring.

Anyway, I still have a bunch of things on my plate and it’s probably more useful to go ahead and do them than to proceed to continue to write this entry.  I’ve attempted this at several points in the past, but it just really tends to fall flat given that I a) either don’t want to divulge too much about my private life or b) am too lazy, busy, something else that can be rationalized by excuses.

But we shall see.

I just got into __________ Film Festival with my newest, latest short, “Frisk,” which I’m eagerly looking to finish post on and finish once and for all.

Alex Mulzac and Hisham Tawfiq in “Frisk”

I’m very pleased with it (at even having attempted this 12-minute behemoth), but who knows what people will think.   I might get a lot of “what the fucks,” at the end of this premiere screening, but…we shall see.  (Apologies to any crew/donors who have come across this post, I plan on shooting out an e-mail just as soon as this press release is out).

This film, however, “Frisk,” was, by far, was the hardest production of my short, young life.  But boy oh boy, am I glad I did it.  3 Nights of Exterior Shooting, Rain, An Asshole Cop, my own, boundless anxiety…whew.

Anyway, I’m finishing post on that.  Myself.  So there.

Also in the middle of trying to finish a polish on this feature, _________, which I hope to have finished by the end of this month (no later than the end of August, for the love of all my Catholic school education) and writing another feature, “_____________,” which I hope to have finished before the end of October.

I’ll send both of these to the Sundance Writers’ Labs Tribeca All-Access, Nicholls, Cinefondation (why the hell not) just to see if I can get some support.  We’ll see if it happens.  I definitely could use the industry connections, the money, and those names on my resume.

I got goals, man.  I’m turning 25 in less than 2 months, off my mom’s insurance in 14 (WHOO!!!!! OBAMA!!!!), and I’m starting to feel the unyielding pressure of my mid-20s bearing down on me.  To be honest, I’ve felt it ever since having graduated college in 2009, but now, getting closer to 30 than I’ve been to 20, let’s just say that shit is getting real.

Anyway, I’ve got goals, man.

1 Feature Film Before ….

3 Feature Films within (I won’t say)…

Maybe a TV Show?  (I’ve had a few ideas, but who has the time to develop?)

Maybe a Webseries (at least one) that we have written.  (This idea for a Webseries is AWESOME, by the way.  I don’t like to hype things, too often, especially not stuff that I’ve done personally, as I’m still learning, after all, but whoo-whee!  Developed it with some buddies of mine from CINEMA STEREO, my NYC-based cinema-creator collective because collectives are awesome].  And the joint has POTENTIAL).  Like, if we got the gumption to pitch to a few more places, we’re all pretty confident that this idea would be the SHIT.  We actually pitched this thing two years ago to a certain group of people that were endowed with a certain amount of money to develop a certain kind of product for a certain demographic of people, but you know, they didn’t pick us.  And that’s cool, ’cause the thing they picked instead, well, no one’s really watching that.  We’re not bitter, though.  :-D.)

Maybe in the next few years, but Issa Rae’s success aside, I think that many of us are still skeptical about the potential (money, press, etc) involved in the production of webseries.  They’re kind of like doing a series of very small shorts, all wrapped up in one and it’s just like…I don’t know if any of us actually desire to make short-format stuff, anymore.  It’s not that we think we’re better than webseries, but hell.  Look at how many webseries there are.  Someone tell me how to map out a viable business plan for one of these joints.  I mean, I know Feature Films aren’t exactly super-viable, these days, but explicamelo.

Still, who knows.  Spaghetti approach.

What else?  In a nutshell, I’m 24, and I want to get the house/wife/kid thing poppin’ in a reasonable amount of time.  I’m trying to get these debts paid the fuck off, and I want Sallie Mae to get the hell up out of my business.  And off of my phone.  I’m tired of that bitch calling me.  So yeah.  Follow along.

Shit I’ve Watched/Read This Week:

Last Wednesday – Beasts of a Southern Wild (GREAT)

Friday – Amores Perros (one of the best films of all bloody time)

Sunday – Breaking Bad (uh, hell yeah)

Tuesday – The Dark Knight (I mean…I really really wanted to think that this movie wasn’t going to be better than the previous installment, “Begins,” but damn if it isn’t good).

Still fighting my way through Toni Morrison’s “Song of Solomon,” Mad Men Season 3 and…a bunch of scripts.  Can never read enough scripts.


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UI Screening of “An Oversimplification of Her Beauty” a Success

Summer Research Opportunities Program (SROP)

The University of Iowa’s screening of An Oversimplification of Her Beauty on Saturday, July 7 was a success as expected. Terence Nance and James Bartlett went back to their roots as alumni to the University and its Summer Research Opportunities Program (SROP) and McNair Scholars Program to present the film, share in a public discussion, and take a stroll down memory lane with Horace Porter, F. Wendell Miller Professor of English and American Studies and Departmental Executive Officer of African American Studies, Diana Bryant, Director of SROP and McNair Scholars Program, and Richard Brent Turner, Professor of African American Religious History.

University of Iowa Screens “An Oversimplification of Her Beauty”

iowa4

 

An Oversimplification of Her Beauty” will be shown at the University of Iowa’s Summer Research Opportunities Program (SROP) and McNair Scholars Program. It will be a free screening on this Saturday, July 7 at 4:30pm. Director Terence Nance and Producer James Bartlett are both alumni of the SROP program. For more information on this screening check out the University of Iowa’s site.

Thursdays @ 7 by Brooklyn Museum: An Oversimplification of Her Beauty

Brooklyn Museum

Missed your chance at a sneak peak of “An Oversimplification of Her Beauty”, the debut feature of the Brooklyn-based up and comer Terence Nance? Well, not to worry…Thursday, August 9th, 2012 at 7pm, The Brooklyn Museum is hosting a film screening of the innovative, live action/animation mixed take on his somewhat complicated love story. For more information about the event and everything Brooklyn Museum, check out the site (simply because it’s a dope venue…especially on Target First Saturday) and we’ll see you there! 

Click here to view the embedded video.

Jay-Z’s Site Life and Times Loves Shawn Peters

 

 

Recently Shawn Peters – who has collaborated with Terence Nance on different works such as Blitz The Ambassador’s “Something To Believe” video, “An Oversimplification of Her Beauty,” and more recently “Triptych for Afropunk Films” — talked with Life and Times (Jay-Z’s website) on his career and some of his upcoming work. Check out the Life and Times interview here.

Miami Heat…Pt. 2

Donald Conley • Miami Heat…Pt. 2
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LA Film Fest Puts the Spotlight on “An Oversimplification of Her Beauty”

“Popping off the screen with explosive style and energy, director and star Terence Nance adapts and expands his previous short film like a musician remixing and improving a classic song.”

See the LA Film Fest’s write up on “An Oversimplification of Her Beauty” and other great films worth checking out here.

Terence Etc. & the Et Cetera

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Black Beau

 

A Dandy Is… Is a freewheeling educational film about the nature of dandy identity in the African diaspora. Created entirely inside one 8mm film camera the film playfully examines the construction of a singular African dandy identity. The piece is now hung at the Aljira Contemporary Art Center as a part of the traveling exhibition Dandy Lion: redefining Black masculinity curated by Shantrelle P. Lewis.

Miami Heat

Donald Conley • Miami Heat
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World Premiere

Donald Conley • World Premiere
Read the post here.

My GOOD DEED of the Week

Donald Conley • My GOOD DEED of the Week
Read the post here.

Moving Forward: The Post

Donald Conley • Moving Forward: The Post
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My Brain on Dreams

Donald Conley • My Brain on Dreams
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On Motivation…. “The only thing that I see that is distinctly different about me is I’m not afraid to die on a treadmill. I will not be out-worked, period. You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there’s two things: You’re getting off first, or I’m going to die. It’s really that simple, right? You’re not going to out-work me. It’s such a simple, basic concept. The guy who is willing to hustle the most is going to be the guy that just gets that loose ball. The majority of people who aren’t getting the places they want or aren’t achieving the things that they want in this business is strictly based on hustle. It’s strictly based on being out-worked; it’s strictly based on missing crucial opportunities. I say all the time if you stay ready, you ain’t gotta get ready.” ― Will Smith

Tahir Jetter
On Motivation…. “The…

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A friend brought this to my attention, earlier this week.

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For 2012.

Tahir Jetter
For 2012.
Happy New Year.  And what a great New Year’s Eve it was.

I’m so glad to find that we’ve not yet been smitten by some transcendentally terrible, apocalyptic event and, as such, have the tremendous opportunity to continue living our lives.

It’s around this time of year that people tend to make all sorts of “resolutions,” harping on the mistakes and mishaps of the year before and making grandiose statements about things they’ll promise for the year to come.  I, however, like to think that I’m much more fallible and will not even begin to suggest to being able to stick to doing anything of the sort.

Nevertheless, there are certain things that I’d like to get done, this year and though I don’t want to go into all the specifics for fear of “jinxing” myself, I’m just going to delve into a few of the factors that have driven me to believe that I need to make some shit happen.

The Principal Reasons:

a) Having gotten into Sundance last year – essentially lit a fire under my ass

b) Just having read another article about Edward Burns shooting his most recent feature film, “Newlyweds,” for $9K.

c) I’ve just turned 24, and let’s just say I’m starting to get that serious, “quarter-life crisis” itch.  (“I need money, power, a career–now”)

d) I hate New York City and absolutely cannot wait until I can rationalize making a decision to leave.  My ideal justification–that I have secured some sort of foothold in this industry.  I could write an entire post about my disdain for NYC alone, but suffice it to say–I can totally understand why my mother left, in the 70′s.  My goodness.  A big shout out to anyone that’s poor that’s still trying to make it there.  Good luck.

e) At this point, I’m damn deep in the (film) game.  There is nothing else to do but to just continue on and attempt to break the door down, by hook or by crook.  (There is no reason not to, only the will to do it, the patience to see the process through and the savvy needed to determine what should come next, so that one can continue on).

(Sorry if this sounds intense).

All that aside, I’ve been extremely fortunate this year, and I’m thankful for all of that.  Supportive family, supportive friends, supportive patrons.  I’ve had the opportunity to network tremendously since having attended Sundance, earlier last year, and was even able to shoot another short film just two months ago, one which I’m very eager to release in the Spring of this year.

I’ve also have a few other things I’ve been developing that I’m hoping will come to fruition over the course of the year.  So–positive thoughts.

Things I (Still) Do To Stay Sane:

- Exercise with the tenacity a convict (a comparison I drew after watching this film called “Bronson”), as much as possible.  Not that being in prison is ideal for staying in good shape, but you’d be surprised just how much exercise can do within a space that’s 9′ x 9′ x 12′.  Anyway, I’m of the mind that being in good, functional, physical shape will keep your spirits up, no matter what else is going on in your life.  It just will.

- Listen to Kanye, Drake, J Cole, Kendrick Lamar, Jay-Z and other inspiring hip-hop artists, as much as possible.

- Dance.  Laugh.  A lot.

- Beer.  Just one or two.  Occasionally.

Things I Do in an Attempt to Keep My Skills Sharp:

“If you’re a writer, you write.  If you’re a director, you direct.  If you’re an actor, you need to act.”

These things are true.  And even if you’re just starting out or aspiring to be a writer-director, there are things that you should be doing continually to hone your abilities, especially when you’re not shooting.

Earlier this year, I saw a list of media that Steven Soderbergh (whose work I adore), spent time observing/watching/creating throughout the course of this past year.  If you’re priding yourself on being a content creator, you need to really keep yourself engaged and exercise your mind.

- Avoid watching network/cable television for long stretches of time

- Try to watch at least 4 films per week, however you can.  (Spike’s advice)

- If you’re going to watch television, make a concerted effort to watch something that’s good.

- Read prose, for the love of all that’s holy.  Nonfiction and fiction.  Read good journalism, too.     Plays.  Scripts (at least 2 per week).  Just read.

- Go to the darned Museum.

- Observe, study and photography.  Whatever you can get your hands on.

- Read Indiewire, Variety, Nikki Finke’s Deadline, The Hollywood Reporter, etc.–the trades.

- Keep shooting and editing, whenever you have the time

- Keep writing.

You must be a sponge.  You’re basically like a soldier.  And if you don’t think of yourself that way, it’s really best to get out of the game, because there are countless other people that take this shit just this seriously.

General Practices (things to remember and to abide by, as much as possible, if possible):

- Be grateful

- Call your parents and other family members.  For the love of all that’s holy.

- Keep in Touch with Folks, in general.

- Be conscious of the fact that time is your most important asset

- Don’t be afraid to say “no” to anything

- Surround yourself with people who are filled with positivity and optimism and, at the same time do not be afraid to distance yourself from others.

- Strive to do more than what you discuss doing

- Strive to continually push yourself out of your comfort zone, to experience new things and to meet new people

- Strive to avoid solipsism and arrogance as much as possible

- Keep a plan — 6-month, 12-month, 36-month, 60-month, 120-month (if you can) – review and refine it, regularly.

2012.
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Busted on Brigham Lane @ ABFF 2012

It is with great pleasure that I come to you with NEWS NEWS NEWS! Busted on Brigham Lane has recently been accepted as one of the five finalists to compete in the American Black Film Festival’s 2012 HBO Short Film Competition this year in Miami from June 20-23! This is one of the most prestigious film festivals to showcase African [...]

Erin Barra – Good Man

Was Cinematographer on the project with director Terence Nance. Always wanted to do a Stockholm syndrome themed video; brought the idea to Terence and he made it his own. He flipped it by giving the woman the power.

Cast: Shawn Peters and Terence Nance • Terence Etc.

Tags: Shawn Peters, Terence Nance and Erin Barra

Afro-Punk: Tryptic, Barron Claiborne

Afro-Punk pictures presents The Triptych
(Dir. Terrance Nance, Dir. of Photography Shawn Peters, Co Dir. Barron Claiborne)

This short-film series highlights the work of artists Sanford Biggers, Wangechi Mutu, and Barron Claiborne.

The Triptych is a unique and profound documentary series profiling some of the most outspoken visual artists of our time .

Produced by Afro-punk pictures, the documentary is itself a work of art, featuring three intimate 20-minute conversations with three bold and culturally resonant voices in art. Each monologue is a reflection of their life experience, letting the viewer discover how their observations have shaped the art they create.

Cast: Shawn Peters

Tags: Shawn Peters, Barron Claiborne, Terence Nance and Afro-Punk

Afro-Punk: Triptych, Sanford Biggers

Afro-Punk pictures presents The Triptych
(Dir. Terrance Nance, Dir. of Photography Shawn Peters, Co Dir. Barron Claiborne)

This short-film series highlights the work of artists Sanford Biggers, Wangechi Mutu, and Barron Claiborne.

The Triptych is a unique and profound documentary series profiling some of the most outspoken visual artists of our time .

Produced by Afro-punk pictures, the documentary is itself a work of art, featuring three intimate 20-minute conversations with three bold and culturally resonant voices in art. Each monologue is a reflection of their life experience, letting the viewer discover how their observations have shaped the art they create.

Cast: Shawn Peters

Tags: Shawn Peters, Wangechi Mutu, Afro Punk and Terence Nance

Afro-Punk: Triptych, Sanford Biggers

Afro-Punk pictures presents The Triptych
(Dir. Terrance Nance, Dir. of Photography Shawn Peters, Co Dir. Barron Claiborne)

This short-film series highlights the work of artists Sanford Biggers, Wangechi Mutu, and Barron Claiborne.

The Triptych is a unique and profound documentary series profiling some of the most outspoken visual artists of our time .

Produced by Afro-punk pictures, the documentary is itself a work of art, featuring three intimate 20-minute conversations with three bold and culturally resonant voices in art. Each monologue is a reflection of their life experience, letting the viewer discover how their observations have shaped the art they create.

Cast: Shawn Peters

Tags: Shawn Peters, Wangechi Mutu, Afro Punk and Terence Nance

Afro-Punk: Triptych, Wangechi Mutu

The Triptych is a unique and profound documentary series profiling some of the most outspoken visual artists of our time. Produced by Afro-punk pictures, the documentary is itself a work of art, featuring three intimate 20-minute conversations with three bold and culturally resonant voices in art. Each monologue is a reflection of their life experience, letting the viewer discover how their observations have shaped the art they create.

The first in the series features Sanford Biggers, Barron Claiborne and Wangechi Mutu – contemporaries, luminaries and friends. Spanning the artistic gamut from interdisciplinary to photography and performance, their keen reflections on the world are at once startling and insightful.

Cast: Shawn Peters

Tags: Shawn Peters, Wangechi Mutu, Afro Punk and Terence Nance

Afro-Punk: Triptych, Wangechi Mutu

The Triptych is a unique and profound documentary series profiling some of the most outspoken visual artists of our time. Produced by Afro-punk pictures, the documentary is itself a work of art, featuring three intimate 20-minute conversations with three bold and culturally resonant voices in art. Each monologue is a reflection of their life experience, letting the viewer discover how their observations have shaped the art they create.

The first in the series features Sanford Biggers, Barron Claiborne and Wangechi Mutu – contemporaries, luminaries and friends. Spanning the artistic gamut from interdisciplinary to photography and performance, their keen reflections on the world are at once startling and insightful.

Cast: Shawn Peters

Tags: Shawn Peters, Wangechi Mutu, Afro Punk and Terence Nance

Range Rover: Bev Smith Story

Had a chance to DP this lifestyle piece for the Range Rover website for their new Evoque model.

Cast: Shawn Peters

Tags: Shawn Peters, Bev Smith and Range Rover

Be Good by Greogry Porter

Had a chance to DP this with the incredibly talented director Pierre Bunnu. Twas a fun weekend with close friends.

Cast: Shawn Peters and pierre bennu

Tags: Shawn Peters, Pierre Bennu and Gregory Porter

The Oversimplication of Her Beauty

Shot about 35% of this feature, all of the newer stuff basically. The film has footage was shot from 2006 until now.

Cast: Shawn Peters and Terence Nance • Terence Etc.

Tags: Terence Nance and Shawn Peters

Follow Through, By L4

Had a chance to direct and shoot this video in Slovakia with the Dutch band L4, there is a longer version with a scene that we did in Prague to come.

Cast: Shawn Peters

Tags: L4, Prague, Amsterdam and Shawn Peters

Follow Through, By L4

Had a chance to direct and shoot this video in Slovakia with the Dutch band L4, there is a longer version with a scene that we did in Prague to come.

Cast: Shawn Peters

Tags: L4, Prague, Amsterdam and Shawn Peters